The Menuhin Tour of San Francisco Part 2
The second installment of my Menuhin treasure hunt around CA (the world?). This is his family home beginning in 1923. Beautiful!
This is the second installment of my Yehudi Menuhin housing obsession. If you want to visit the first, click here.
1043 Steiner Street. The home of Yehudi Menuhin beginning in 1923.
Jeff and I drove to Northern California for Thanksgiving this year (which was amazing in case anyone is wondering - I am now obsessed and can’t wait to return) and picked up my gal pal Kat on our way to Sonoma County where we rented a cabin in the woods for a few days. We stopped briefly in San Francisco but stayed just long enough for me to go on an Active Violinist field trip to hunt down yet another home where Yehudi Menuhin resided.
Fortunately, Kat lives blocks away from Menuhin’s early family home (both of them) so it was easy to stop by and snap some photos and made a good excuse to stretch our legs after a few hours in the car.
Menuhin and his family moved from 732 Hayes Street to 1043 Steiner Street at some point in 1923 (according to Humphrey Burton, most likely in the autumn). These residences are walking distance from each other and very close to Alamo Square and the Painted Ladies so I can only imagine what they might cost to purchase or rent these days.
Burton writes;
“By [1923] Yehudi’s potential as a performer would have been sufficiently evident for them to buy a residence appropriate for their future needs. The handsome two-storey wooden house, 1043 Steiner Street, still stands on one of San Francisco’s attractive hillsides. It boasted a double living room, normally divided by sliding doors into dining and living rooms but capable when opened up of seating sixty guests an an informal concert - an astonishingly grandiose concept for a young couple of limited means with three very small children. But the Menuhins loved entertaining…and they needed somewhere for young Yehudi to play for their friends.
There was a small room off the kitchen where the boy did his daily practice. Marutha did not oversee his work so much as overhear it while she prepared the meals. At the back there was a yard with some trees and a swing. They built a deck on which they erected a large tent and there the entire family slept, in divided sections, apparently all the year round, because the ingenious Moshe let out the upstairs bedrooms to lodgers…In the basement Moshe created a large garage where he rented parking spaces to pay off the $5000 mortgage on the new house at $50 per month.” (24-25). [1]
We pulled into San Francisco in mid-afternoon of the Wednesday before Thanksgiving. It was beautifully sunny, and still a little damp from the rain the previous evening but the light was so special and the temperature was perfect. We strolled through the park to take a look at the house on Steiner Street. It is well maintained but missing any commemorative plaque for the violinist - which, again, feels quasi scandalous. Who will remember the greatness that passed through those doors if the city does not commemorate it appropriately? Jeff and Kat encouraged me to knock on the door and ask for an informal tour but I felt too shy so we tried to go next door to Chateau Tivoli, a bed and breakfast to see if the staff could give us a clue about the current residents. Interestingly enough, from 1898-1917 the bed and breakfast was the private residence of Mrs. Ernestine Kreling, owner of the famous Tivoli Opera House, the first place where opera was sung on the West Coast. In the early part of the 20th century, the neighborhood was largely Jewish, and after 1917 was sold to the Emanu-El Sisterhood as a home for single girls, and subsequently housed many and various Jewish organizations. [2] The things you learn when you start digging!
Stay tuned for the next installment of Menuhin trivia. I’m not sure what it will be, but it will arrive soon.
Sources:
[1] Humphrey Burton, Yehudi Menuhin, A Life. Northeastern University Press: Boston, 2000.
[2] https://www.chateautivoli.com
Fantastic Performances and Exhibits I've seen this Fall in Los Angeles
I just wanted to take a moment to document some of the absolutely fantastic events and exhibits I have attended in Los Angeles in October and early November alone (I won’t even get into the things I experienced earlier in the year). I’ve gone to a wide variety of venues and museum spaces, several of which I had never visited before. I’m sure there will be so many more in the future, but please check out the cultural events I’ve experienced so far and if you also live in the LA area, hop on over to the exhibits, or check out the organizers so you can make sure to see the next event heading this way.
The Day/World to Come.
Image from the newyorker.com
A Performance featuring cellist Maya Beiser with dancer Wendy Whelan, choreography by Lucinda Childs, and music by Pulitzer Prize winning composer David Lang. You can listen to it here, and you can read a about it here (complete with beautiful photography from the performance), and you can watch a short video below. My favorite part visually was at the end. I adored the imagery with the fabric and how Whelan interacted with the material ESPECIALLY the final scene (which is not included below). This was presented by CAP UCLA at Royce Hall on the UCLA campus Friday, October 18.
LA Phil Gala - From Space I Saw Earth by Daniel Bjarnason
I wrote a review of this piece for corpßonore - sound | body | wellness which you can read here, because it was such a momentous experience for the audience and the performers (at least, for me). I can’t imagine the next time this piece will be performed again, specifically when you will see Gustavo Dudamel, Esa-Pekka Salonen, and Zubin Mehta share the stage for such a beautiful and moving performance. This was presented by the LA Phil on October 24th at Walt Disney Concert Hall.
Andrew Sean Greer and Sloane Crosley in Conversation
Another event presented by CAP UCLA. I read the Greer’s Pulitzer Prize winning novel Less last year and adored it. It is charming and funny, and sad, and heart warming. For whatever reason, I have followed Crosley on Twitter for several years but never read her works. This conversation (and Q&A) was charming and delightful and I appreciated that I understood and knew many of the cultural references made and authors referenced. It felt like I had found my literary people or something. The banter was witty and enjoyable and they both signed my copy of Sloane’s book which I felt rude asking Greer to do, but I had left Less at home. This event took place on November 3rd and was held in Kaufman Hall on the UCLA campus which is a beautiful smaller theater so the event felt very intimate. Check out the rest of the CAP UCLA event calendar here
Medea Insurrection at the Wende Museum
Sibylle Bergemann, Heike, Allerleirauh, Berlin, 1988
I went to the opening night of this event and it was a beautiful celebration and full of fascinating pieces created by women behind the Iron Curtain. I strongly recommend this exhibit! It runs from November 10, 2019 - April 5, 2020. I had never been to the Wende Museum (located in Culver City) but it is beautiful, and very close to the lively downtown area and Sony Pictures. The art in this exhibit is in so many different mediums from photography and oil paint, to woven and sewn materials, and video.
The Wende is free and open to the public. https://www.wendemuseum.org
W | ALLS: Defend, Divide, and Divine at the Annenberg Space for Photography.
Due to the 30th anniversary of the fall of the Berlin Wall, and other current political jargon, Walls seem to be a theme in the art world, at least in Los Angeles (and in my own head). This exhibit was stunning. The photography caught intimate and expansive imagery of walls, including the Berlin Wall, the Wailing Wall, the border with Mexico, and Marina Abramović.
from the Annenberg’s website:
Complex, challenging, and immersive, W|ALLS: Defend, Divide, and the Divine is a historical look at civilization’s relationship with barriers, both real and imagined. For centuries, across diverse civilizations, walls have been central to human history. This exhibit explores the various aspects of walls – artistic, social, political, and historical – in six sections: Delineation, Defense, Deterrent, The Divine, Decoration, and The Invisible. These categories overlap and change meaning according to context, much like the walls themselves: erected for one reason, their appearance and use is then altered and modified over centuries, reflecting the civilizations that have grown and changed around them.
This exhibit runs from October 5th, 2019 - December 29, 2019 so make sure you carve out some time this holiday season if you haven’t checked it out yet. https://www.annenbergphotospace.org/exhibits/walls/
The Menuhin Tour of San Francisco Part 1
I know many random facts about Yehudi Menuhin, including where he lived (like his actual address) at various stages of his life. I’ve been musing on my yoga journey recently and Menuhin plays a significant role in where I am today. Last year, on a trip to San Francisco I took a trip to one of his earliest residences. Here it is, ta da!
Not to keep going on my yoga journey, BUT I've been thinking about the different places yoga has taken me, how it has intertwined with music-making, and the many lessons I have learned, am learning and must eventually relearn. One of the most significant points on my journey was the dissertation I wrote about Violin and Yoga titled “Using Iyengar Yoga to Enhance Violin Playing.”
That whole research portion of writing an academic anything made me borderline obsessed with Yehudi Menuhin (and BKS Iyengar, but that is for a different day). At one point, I probably knew more about Menuhin than most other people. I have read (I think) every one of his books, autobiographies, and biographies. I have compared videos and recordings from different stages of his career. I've watched BBC specials featuring him, and about him. I know about his school, the festival in Switzerland, his siblings, who he married, what he did during World War II, his feelings about airplanes, his work with UNESCO, his recommended yoga poses, diet when touring for concerts, and where he lived and when.
Menuhin was born in New York City, but his family moved to San Francisco when he was very young. While reading Yehudi Menuhin, A Life by Humphrey Burton, I came across one of Menuhin's first addresses in San Francisco: 732 Hayes Street. I texted my friend in San Francisco and asked if she ever passed by this address or knew where it was, and it turns out it is right down the street from her. She snapped a picture the next day on her way to work. Last year, I was in the Bay Area for a visit and requested a walk past it to see for myself.
Turns out, I might be the only person who cares that a very important violinist who changed the world’s perception and appreciation of yoga and many other things in ways we still don’t fully appreciate because it is not particularly well-kept. It lacks any sort of commemorative markings and appears (because, yes, I definitely peered through the windows in the middle of the day like a stalker with no shame) to be just an ordinary rental building that any person could live in without even having to audition. This kind of blows my mind. Maybe I'm too much of a fangirl, but I was stunned that the world keeps turning without some Trust or Musical Society making more of a commotion about this. The apartments don't look fancy, but they probably cost an arm and a leg in rent. At least it has charm and history.
The Menuhin family lived at 732 Hayes Street from around 1918 or 1919 until Autumn of 1923 when the expanding family moved into a larger home at 1043 Steiner Street. Menuhin's biographer, Humphrey Burton, wrote that the Steiner St. house boasted, "a double living room, normally divided by sliding doors into dining and living rooms but capable when opened up of seating sixty guests at an informal concert – an astonishingly grandiose concept for a young couple of limited means with three very small children." (24)
Frustratingly, I can't believe that I didn't remember this address last year when I was in San Francisco. If I could make an excuse for myself, it would be that Hayes is a much more famous street than Steiner in San Francisco history. Fortunately, I will be back in Northern California in a few weeks, and you can bet your bottom dollar that I will walk over to Steiner Street and take a photo or 2 of the house…and probably stare through the windows of this place too. Maybe that one has a plaque?
Stay tuned…
References:
Humphrey Burton, Yehudi Menuhin, A Life. Northeastern University Press: Boston, 2000.